En Excel, usa =si(A2>1000, "Excedido", "Dentro del límite") para verificar umbrales. Calcula el promedio con =promedio(B2:B10), y suma con =suma(C2:C10). Aplica formato de moneda con Ctrl + Shift + $ y porcentaje con Ctrl + Shift + %. Utiliza =buscarv("Código", D2:D100, 2, FALSO) para buscar datos. Redondea con =redondear(E2, 2). Para formato condicional, usa =condicional(F2>1000, "Alto", "Bajo"), y para interés compuesto, =C2*(1+Tasa/100)^Años.
The Korean language. Sejong in 1443, Korea and North Korea. 14 and 10 shapes.
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No one had more natural talents than Astorre Manfredi, prince of Faenza. The most handsome of all the young princes of Italy, he captivated his subjects with his generosity and open spirit.
This Law involves two rules that you must realize. First, you can inadvertently outshine a master simply by being yourself. There are masters who are more insecure than others, monstrously insecure; you may naturally outshine them by your charm and grace.
Do not fool yourself into thinking that life has changed much since the days of Louis XIV and the Medicis. Those who attain high standing in life are like kings and queens: They want to feel secure in their positions, and superior to those around them in intelligence, wit, and charm. It is a deadly but common misperception to believe that by displaying and vaunting your gifts and talents, you are winning the master's affection. He may feign appreciation, but at his first opportunity he will replace you with someone less intelligent, less attractive, less threatening, just as Louis XIV replaced the sparkling Fouquet with the bland Colbert. And as with Louis, he will not admit the truth, but will find an excuse to rid himself of your presence.
Keys To Power
Everyone has insecurities. When you show yourself in the world and display your talents, you naturally stir up all kinds of resentment, envy, and other manifestations of insecurity. This is to be expected. You cannot spend your life worrying about the petty feelings of others. With those above you, however, you must take a different approach: When it comes to power, outshining the master is perhaps the worst mistake of all.
Scientists are not spared the vagaries of court life and patronage. They too must serve masters who hold the purse strings. And their great intellectual powers can make the master feel insecure, as if he were only there to supply the funds an ugly, ignoble job. The producer of a great work wants to feel he is more than just the provider of the financing. He wants to appear creative and powerful, and also more important than the work produced in his name. Instead of insecurity you must give him glory. Galileo did not challenge the intellectual authority of the Medicis with his discovery, or make them feel inferior in any way; by literally aligning them with the stars, he made them shine brilliantly among the courts of Italy. He did not outshine the master, he made the master outshine all others.
They do not care about science or empirical truth or the latest invention; they care about their glory. Galileo gave the Medicis infinitely more glory by linking their name with cosmic forces than he had by making them the patrons of some new scientific gadget or discovery.
Interpretation
In one stroke, Galileo gained more with his new strategy than he had in years of begging. The reason is simple: All masters want to appear more brilliant than other people.
The Pontiac GTO was introduced on September 3, 1963, for the 1964 model year as a trim level of the Pontiac Tempest LeMans. It came with a 389 cubic inch V8 engine, featuring a "Tri-Power" 3x2-barrel Rochester carburetor making 348 horsepower and 428 foot-pounds of torque, along with a singular Carter AFB 4-barrel carburetor making 325 horsepower and 420 foot-pounds of torque. However, it received criticism for its slow steering and inadequate drum brakes. In 1964, it sold a total of 32,450 units.
In 1965, the Pontiac underwent a facelift with stacked headlights, a split-signature Pontiac grille, and upgrades to its carburetors. The Tri-Power 3x2-Barrel Rochester Carburetor increased from 348 to 360 horsepower, while the Carter AFB 4-Barrel Carburetor went from 325 to 335 horsepower. The taillights received a minor facelift in shape and design, along with a new metal line cover.
1966 got another appearance with a much angrier grille, a three-by-three grid set of taillights, a newer "coke-body" style on the B and C Pillars, and a new "Ram-Air XS" option with a new 744 High Lift Camshaft.
In 1967, the car received a facelift, each featuring four sets of taillights, totaling eight. New engine options were introduced, including Economy (260 horsepower), Regular (335 horsepower), and Performance (360 horsepower). A new Hardtop variant was introduced, and the "GTO" design/badge was relocated to the side fenders.
In 1610 Cosimo II made his official court philosopher and mathematician with a full salary. For a scientist this was the coup of a lifetime. The days of begging for patronage were over.
Galileo turned his discovery of Jupiter's moons into a cosmic event honoring the Medicis' greatness. Shortly after the discovery, he announced that "the bright stars the moons of Jupiter offered themselves in the heavens" to his telescope at the same time as Cosimo II's enthronement. He said that the number of the moons four harmonized with the number of the Medicis (Cosimo II had three brothers) and that the moons orbited Jupiter as these four sons revolved around Cosimo I, the dynasty's founder. More than coincidence, this showed that the heavens themselves reflected the ascendancy of the Medici family. After he dedicated the discovery to the Medicis, Galileo commissioned an emblem representing Jupiter sitting on a cloud with the four stars circling about him, and presented this to Cosimo II as a symbol of his link to the stars.
Galileo hit on a new strategy in 1610, when he discovered the moons of Jupiter. Instead of dividing the discovery among his patrons giving one the telescope he had used, dedicating a book to another, and so on as he had done in the past, he decided to focus exclusively on the Medicis. He chose the Medicis for one reason: Shortly after Cosimo I had established the Medici dynasty, in 1540, he had made Jupiter, the mightiest of the gods, the Medici symbol a symbol of a power that went beyond politics and banking, one linked to ancient Rome and its divinities.
Observance Of The Law
In the early 1600s, the Italian astronomer and mathematician Galileo found himself in a precarious position. He depended on the generosity of great rulers to support his research, and so, like all Renaissance scientists, he would sometimes make gifts of his inventions and discoveries to the leading patrons of the time. Once, for instance, he presented a military compass he had invented to the Duke of Gonzaga. Then he dedicated a book explaining the use of the compass to the Medicis. Both rulers were grateful, and through them Galileo was able to find more students to teach. No matter how great the discovery, however, his patrons usually paid him with gifts, not cash. This made for a lie of constant insecurity and dependence. There must be an easier way, he thought.
Such is the fate, in some form or other, of all those who unbalance the master's sense of self, poke holes in his vanity, or make him doubt his preeminence. When the evening began, Fouquet was at the top of the world. By the time it had ended, he was at the bottom.
Let us examine the situation. The evening of the party, as Fouquet presented spectacle on spectacle to Louis, each more magnificent than the one before, he imagined the affair as demonstrating his loyalty and devotion to the king. Not only did he think the party would put him back in the king's favor, he thought it would show his good taste, his connections, and his popularity, making him indispensable to the king and demonstrating that he would make an excellent prime minister. Instead, however, each new spectacle, each appreciative smile bestowed by the guests on Fouquet, made it seem to Louis that his own friends and subjects were more charmed by the finance minister than by the king himself, and that Fouquet was actually flaunting his wealth and power. Rather than flattering Louis XIV, Fouquet's elaborate party offended the king's vanity. Louis would not admit this to anyone, of course instead, he found a convenient excuse to rid himself of a man who had inadvertently made him feel insecure.
Interpretation
Louis XIV, the Sun King, was a proud and arrogant man who wanted to be the center of attention at all times; he could not countenance being outdone in lavishness by anyone, and certainly not his finance minister. To succeed Fouquet, Louis chose Jean-Baptiste Colbert, a man famous for his parsimony and for giving the dullest parties in Paris. Colbert made sure that any money liberated from the treasury went straight into Louis's hands. With the money. Louis built a palace even more magnificent than Fouquet's the glorious palace of Versailles. He used the same architects, decorators, and garden designer. And at Versailles, Louis hosted parties even more extravagant than the one that cost Fouquet his freedom.
The next day, Fouquet was arrested by the king's head musketeer, D'Artagnan. Three months later he went on trial for stealing from the country's treasury. (Actually, most of the stealing he was accused of he had done on the king's behalf and with the king's permission.) Fouquet was found guilty and sent to the most isolated prison in France, high in the Pyrenees Mountains, where he spent the last twenty years of his life in solitary confinement.
Fouquet personally accompanied the young king through the geometrically aligned arrangements of shrubbery and flower beds. Arriving at the gardens' canals, they witnessed a fireworks display, which was followed by the performance of Moliere's play. The party ran well into the night and everyone agreed it was the most amazing affair they had ever attended.
