Le temps des cathédrales. L'art et la société, 980-1420 - Georges Duby

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À ce moment, dans Florence, alors que Ghiberti s'apprêtait à rédiger sur son œuvre des Commentaires, comme César sur ses victoires, Masaccio plaçait son propre visage parmi celui des apôtres du Tribut. Un visage d'homme. Le visage aussi de la liberté de l'artiste.

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