Conseil de dactylographie, comment faire moins d'erreur
1) Précision
J'avais essayé d'améliorer ma vitesse pendant des mois et je n'ai pas vu beaucoup d'amélioration. Une fois, j'ai ralenti et j'ai commencé à être plus précis au lieu d'essayer de taper plus vite j'ai commencé à voir une augmentation de ma vitesse de frappe. Je me sens plus en contrôle. J'ai encore du chemin à parcourir pour mon but, mais je suis heureux.
Apprendre à être précis en premier, puis augmenter la vitesse ensuite.Chaque fois que vous faites backspace, ça prend plus de temps que si vous ralentissez un peu mais avec une meilleur précision. J'ai toujours fait beaucoup de fautes, mais je me rends compte quand je ralentis pour être précis, j'ai effectivement tendance à taper un peu plus vite.
2) Rythme
Ce qui est important est l'élaboration d'un rythme, de ne pas se presser. Etre précis est la première priorité. La vitesse vient naturellement avec la pratique et le temps. En conclusion, on doit apprendre à ne saisir que ce que l'on voit/lit!
* Mettez les index sur les touches qui ont un relief (petit point ou barre)
* A chaque touche il y a un doigt assigné. Une touche doit toujours être tapée par le même doigt.
* Ne regardez pas le clavier, les yeux doivent toujours être sur l'écran
* Entrainez-vous !
When my fingers hurt after too much time on the keyboard, I... Slather myself in butter and bask in the cholesterol until I've the strength to go on typing.
Many of the tips for typing are also applicable to playing the piano. My biggest tips are to keep your fingers low so that the distance they need to travel is shorter. Use your wrist to slightly rotate your hands for many letter combinations and think of creating one motion rather than individual key strokes. Keep your whole body relaxed. Stiff fingers will not have smooth or efficient movements.
Practice! Honestly, it's just about repeating, repeating, and repeating something over and over again until you get it right... that's at least how I learned to type.
Ok, good idea to edit quotes. I do prefer dvorak over qwerty, not because I can type faster (80 wpm with qwerty 90 wpm with dvorak), but because it's much more comfortable and I get less hand strain. Search up dvorak on google. And on most operating systems it's easy to switch back and forth between qwerty and dvorak.
What really helped me improve my typing speed is not focusing on the content of the quote. No matter what you do, do not think about what you are writing, it will distract you. It's happening right now isn't it? you are messing up aren't you? Well try not to let it happen again and you should be fine.
i am doing good at keyhero.com (average 60 wpm) but when i go to mastertyping software which is used in our exam skill tests there my speed get down as 45 to 50
In order to make a change, besides the inevitable risks involved in every type of change (that is, you don't know whether it'd be better or worse after the change), two things, two old habits need to break also. Firstly, I never buy a new thing unless the old thing is totally and unmistakeably broken. Secondly... oops I forgot what is the second bad habit.
But then... this is not a scientific study. It is only my experience, some thought, and perception, not enough even to convince myself to scrap the old keyboard and buy a new one of a new type. After all, the one I am using right now, the bad one, is more expensive than all the other keyboards I ever touched in my whole life, combined.
Reevaluation and correction: when you "feel but not hit" a key, you are not so much looking for a reference for key locations as much as you are looking for a height reference! You want to find out how high your fingers are hanging, in order to calculate (subconsciously) how high (how deep) you need to dive (to hit).
On top of the original "press distance," you also need to bounce extra-high, for insurance! which is tiring... And bigger bouncing height means the need for greater velocity to compensate to maintain typing speed, and greater velocity means heavier hit, and a heavier hit defeats the original purpose of the design of the blue-switches -- its lightness, its delicacy!
Moreover, you cannot type those "frequent combinations of keys" with a smooth "slide" move as you would be able to with a rubber film keyboard. This is difficult to explain... but let me try to tell "what is a slide?" -- it means after you press one key, you do not hurry to release it, but rather use it as an anchor to locate the next key depending on the location-relation between the two. So, you press the next key and release the current key at the same time; and your finger "slides" half-height as you would normally hang, from one key to another, which would be a smooth action, and "smooth is fast"! But wait, with the blue switches, you cannot do that! You would trigger all the other keys between the above-said two in the sliding path! Therefore, you cannot slide. You must bounce all the time! The original "press distance" is already long and on top of that distance, you also have to
When the switch is too light, it also means you cannot rest any finger on a key (for example a home key) during fast typing in order to find a benchmark (reference) of key locations. The ramification of this is that at first, you would type faster because you start from the home rows and you know the relative locations of keys. From there on, your whole hands have to suspend above in the air all the time and the overall hand position relative to the board would change. Because you cannot "feel but not hit" a key in order to reposition. You cannot be sure whether or not that "feel" action would trigger the sensitive switch!
Mechanical keyboards... The blue-switch ones really suck, guys! After so many frustrations, I carefully pressed to feel the key. Among other things, I found that if you press fast enough, the spring mechanism that results in the click sound (and feel) will fail to catch up. Obviously, there is very bad for fast typing! It means there is a threshold of typing speed, and your fingers get different feedback depending on whether you are above or below that threshold, which means the feedback is inconsistent! Every key is like a trap! With a sensitive trigger! This means you are prone to mistype: you need to hit heavy, and hit bottom, in order to type one key, because the click is not reliable feedback; but at the same time, you also need to hit lightly, and absolutely accurately, because a slight skew would trigger the neighbor key of which you intended to type.
Practice, practice, practice, and don't shortcut your hard keys. If you hate apostrophes, capital "I's", or quotation marks, try to do them with out looking at your keyboard no matter how long it takes you to get it down, without shortcutting it. Just take the time on your wpm to get them solidly down and then they will become like any other key.
