Benutzerdefinierte Tests

Figures by queenrita124

Shadowed angels hover above me like dark shimmering clouds, affixed to my existence - as his ends are fastened to my beginnings, as his slumbering figure is clutched to mine on sleepy Sunday evenings.
The angelic shadows press down on the air around me, and their words are whispered to me in slight delays of the clock’s hand, or whiffs of a familiar scent carried to me in gentle gusts of wind. Their silent tears fall, cleansing my vision, and I can see their pure intentions, floating across the glassy surfaces of my eyes, tiny islands set deeply in the irises.

My prayers slip from my lips and - in solid darkness on late nights,
when crystals form in the corners of my eyes - are intercepted from above, then buried in the tilled soil of a rose bed. No wings are ever displayed; only coincidences alert me of their activity, of their constant unspoken presence in my life, of their subtle protection and gestures in vague directions.

p final by user107889

papa prepared a pleasant picnic party plates piled with plump peppers pears and pineapple pieces pam packed plenty of peanut butter sandwiches peter poured pink lemonade paul picked pretty purple poppies pat practiced performing playful puppet shows piper played a peppy piano piece the pals pedaled ponies past ponds and pines happy picnickers praised papas perfect planning

P by user107889

Proper preparation prevents poor performance. Please practice patiently pronouncing perfectly precise, ponderous paragraphs packed profusely with potent 'p' words. Perpetually pushing perseverance propels people positively past previously perplexing predicaments. Employ powerful pneumonic principles pairing plentiful 'p' words precisely.Pen priceless philosophies persistently, persistently persisting until perfect perpetual practice permits pampered professionals producing premium proofs precisely portraying profound penmanship prowess. Peaceful perseverance, propelled positively, prompts phenomenal proficiency

SQL Commands by user107878

Some SQL Commands
The SQL commands help in creating and managing the database. The most common SQL commands which are highly used are mentioned below:

CREATE command
UPDATE command
DELETE command
SELECT command
DROP command
INSERT command
CREATE Command
This command helps in creating the new database, new table, table view, and other objects of the database.

UPDATE Command
This command helps in updating or changing the stored data in the database.

DELETE Command
This command helps in removing or erasing the saved records from the database tables. It erases single or multiple tuples from the tables of the database.

SELECT Command
This command helps in accessing the single or multiple rows from one or multiple tables of the database. We can also use this command with the WHERE clause.

DROP Command
This command helps in deleting the entire table, table view, and other objects from the database.

INSERT Command
This command helps in inserting the data or records into the database tables. We can easily insert the records in single as well as multiple rows of the table.

SQL vs No-SQL
SQL Tutorial
The following table describes the differences between the SQL and NoSQL, which are necessary to understand:

SQL No-SQL
1. SQL is a relational database management system. 1. While No-SQL is a non-relational or distributed database management system.
2. The query language used in this database system is a structured query language. 2. The query language used in the No-SQL database systems is a non-declarative query language.
3. The schema of SQL databases is predefined, fixed, and static. 3. The schema of No-SQL databases is a dynamic schema for unstructured data.
4. These databases are vertically scalable. 4. These databases are horizontally scalable.
5. The database type of SQL is in the form of tables, i.e., in the form of rows and columns. 5. The database type of No-SQL is in the form of documents, key-value, and graphs.
6. It follows the ACID model. 6. It follows the BASE model.
7. Complex queries are easily managed in the SQL database. 7. NoSQL databases cannot handle complex queries.
8. This database is not the best choice for storing hierarchical data. 8. While No-SQL database is a perfect option for storing hierarchical data.
9. All SQL databases require object-relational mapping. 9. Many No-SQL databases do not require object-relational mapping.
10. Gauges, CircleCI, Hootsuite, etc., are the top enterprises that are using this query language. 10. Airbnb, Uber, and Kickstarter are the top enterprises that are using this query language.
11. SQLite, Ms-SQL, Oracle, PostgreSQL, and MySQL are examples of SQL database systems. 11. Redis, MongoDB, Hbase, BigTable, CouchDB, and Cassandra are examples of NoSQL database systems.
Advantages of SQL
SQL provides various advantages which make it more popular in the field of data science. It is a perfect query language which allows data professionals and users to communicate with the database. Following are the best advantages or benefits of Structured Query Language:

1. No programming needed

SQL does not require a large number of coding lines for managing the database systems. We can easily access and maintain the database by using simple SQL syntactical rules. These simple rules make the SQL user-friendly.

2. High-Speed Query Processing

A large amount of data is accessed quickly and efficiently from the database by using SQL queries. Insertion, deletion, and updation operations on data are also performed in less time.

3. Standardized Language

SQL follows the long-established standards of ISO and ANSI, which offer a uniform platform across the globe to all its users.

4. Portability

The structured query language can be easily used in desktop computers, laptops, tablets, and even smartphones. It can also be used with other applications according to the user's requirements.

5. Interactive language

We can easily learn and understand the SQL language. We can also use this language for communicating with the database because it is a simple query language. This language is also used for receiving the answers to complex queries in a few seconds.

6. More than one Data View

The SQL language also helps in making the multiple views of the database structure for the different database users.

Disadvantages of SQL
With the advantages of SQL, it also has some disadvantages, which are as follows:

1. Cost

The operation cost of some SQL versions is high. That's why some programmers cannot use the Structured Query Language.

2. Interface is Complex

Another big disadvantage is that the interface of Structured query language is difficult, which makes it difficult for SQL users to use and manage it.

3. Partial Database control

The business rules are hidden. So, the data professionals and users who are using this query language cannot have full database control.

Velocidad 1 by user107888

Algunos toman en la oficina diez tazas de café por día, mientras que otros tienen taquicardia, después de tomar tan sólo un café, la tolerancia a la cafeína es diferente de persona a persona.
Las reacciones sensibles son desencadenadas, según los expertos, posiblemente por el tanino presente en el café, si bien esto en particular no está investigado. Por este motivo, las personas afectadas deberían presentar especial atención a las señales del cuerpo.
La cafeína tiene efecto sobre el sistema nervioso central es decir sobre el metabolismo, explica la Sociedad Alemana para la alimentación en Bonn. Dependiendo de la dosis, estimula al corazón, al sistema circulatorio, pero también al estómago, y al intestino, riñones, etc.
Esto se debe a que la cafeína bloquea receptores de la adenosina, una sustancia endógena que tiene un efecto relajante, indicó.
Por este motivo, en muchas personas el café tiene ante todo en la mañana y en la tarde los efectos deseados.
Otras personas, en cambio sufren temblores poco después de tomar café, en ellos el organismo es puesto por la cafeína bajo una fuerte tensión, que no es descargada.

HELP part 1 by user107886

Help!
I need somebody.
Not just anybody.
You know I need someone.
Help!

Edgar Allan Poe by proxy1983

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.
I know not how it was—but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment with which the mind usually receives even the sternest natural images of the desolate or terrible.
I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain— upon the bleak walls—upon the vacant eye-like windows— upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil.
There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth.
It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows.
Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country—a letter from him—which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness—of a mental disorder which oppressed him—and of an earnest desire to see me, as his best and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said—it was the apparent heart that went with his request—which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons.
Although, as boys, we had been even intimate associates, yet I really knew little of my friend. His reserve had been always excessive and habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognizable beauties, of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honored as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other—it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the “House of Usher”—an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion. I have said that the sole effect of my somewhat childish experiment—that of looking down within the tarn—had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition—for why should I not so term it?—served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy—a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity—an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn—a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden-hued. Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn. Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me—while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy—while I hesitated not to acknowledge how familiar was all this—I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master.

Edgar Allan Poe by proxy1983

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was—but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain— upon the bleak walls—upon the vacant eye-like windows— upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows.
Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country—a letter from him—which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness—of a mental disorder which oppressed him—and of an earnest desire to see me, as his best and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said—it was the apparent heart that went with his request—which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons.
Although, as boys, we had been even intimate associates, yet I really knew little of my friend. His reserve had been always excessive and habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognizable beauties, of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honored as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other—it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the “House of Usher”—an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion. I have said that the sole effect of my somewhat childish experiment—that of looking down within the tarn—had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition—for why should I not so term it?—served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy—a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity—an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn—a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden-hued. Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn. Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me—while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy—while I hesitated not to acknowledge how familiar was all this—I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master.

essayuni by user107832

An increasing trend in today's world is the emergence of the argument that something. This essay will discuss the advantages and disadvantages of the above statement, concerned with the notion that something using a practical approach.

At the outset, there are several reasons supporting my viewpoint. The most significant one related to something includes betterment of the society along with the growth of every individual on the planet. Thanks to the benefits offered, individuals can not only attain greater success and effectiveness but can also enhance efficiency, productivity, and quality of life with remarkable ease. Other factors impacted by the topic are something.

However, another key factor to note is its potential to aid individuals in flourishing, advancing, and excelling across different fields and domains. Therefore, individuals involved in something can expand their horizons and skills, and develop qualities like commitment, dedication, and perseverance only by adhering to such a system. This clarifies why many support the assertion that something. Moreover, something are also important to be taken into account.

To conclude, from my perspective, the government of Australia is taking a great initiative in educating its citizens against the negative impacts of the statements about the something. Citizens are being encouraged to adhere to applicable laws and regulations related to something which will help to enhance global prosperity, productivity, efficiency, and a positive environment.

Mulk by allahwaakbar

تَبَـٰرَكَ ٱلَّذِى بِيَدِهِ ٱلْمُلْكُ وَهُوَ عَلَىٰ كُلِّ شَىْءٍۢ قَدِيرٌ ١ ٱلَّذِى خَلَقَ ٱلْمَوْتَ وَٱلْحَيَوٰةَ لِيَبْلُوَكُمْ أَيُّكُمْ أَحْسَنُ عَمَلًۭا ۚ وَهُوَ ٱلْعَزِيزُ ٱلْغَفُورُ ٢ ٱلَّذِى خَلَقَ سَبْعَ سَمَـٰوَٰتٍۢ طِبَاقًۭا ۖ مَّا تَرَىٰ فِى خَلْقِ ٱلرَّحْمَـٰنِ مِن تَفَـٰوُتٍۢ ۖ فَٱرْجِعِ ٱلْبَصَرَ هَلْ تَرَىٰ مِن فُطُورٍۢ ٣ ثُمَّ ٱرْجِعِ ٱلْبَصَرَ كَرَّتَيْنِ يَنقَلِبْ إِلَيْكَ ٱلْبَصَرُ خَاسِئًۭا وَهُوَ حَسِيرٌۭ ٤ وَلَقَدْ زَيَّنَّا ٱلسَّمَآءَ ٱلدُّنْيَا بِمَصَـٰبِيحَ وَجَعَلْنَـٰهَا رُجُومًۭا لِّلشَّيَـٰطِينِ ۖ وَأَعْتَدْنَا لَهُمْ عَذَابَ ٱلسَّعِيرِ ٥ وَلِلَّذِينَ كَفَرُوا۟ بِرَبِّهِمْ عَذَابُ جَهَنَّمَ ۖ وَبِئْسَ ٱلْمَصِيرُ ٦ إِذَآ أُلْقُوا۟ فِيهَا سَمِعُوا۟ لَهَا شَهِيقًۭا وَهِىَ تَفُورُ ٧ تَكَادُ تَمَيَّزُ مِنَ ٱلْغَيْظِ ۖ كُلَّمَآ أُلْقِىَ فِيهَا فَوْجٌۭ سَأَلَهُمْ خَزَنَتُهَآ أَلَمْ يَأْتِكُمْ نَذِيرٌۭ ٨ قَالُوا۟ بَلَىٰ قَدْ جَآءَنَا نَذِيرٌۭ فَكَذَّبْنَا وَقُلْنَا مَا نَزَّلَ ٱللَّهُ مِن شَىْءٍ إِنْ أَنتُمْ إِلَّا فِى ضَلَـٰلٍۢ كَبِيرٍۢ ٩ وَقَالُوا۟ لَوْ كُنَّا نَسْمَعُ أَوْ نَعْقِلُ مَا كُنَّا فِىٓ أَصْحَـٰبِ ٱلسَّعِيرِ ١٠ فَٱعْتَرَفُوا۟ بِذَنۢبِهِمْ فَسُحْقًۭا لِّأَصْحَـٰبِ ٱلسَّعِيرِ ١١ إِنَّ ٱلَّذِينَ يَخْشَوْنَ رَبَّهُم بِٱلْغَيْبِ لَهُم مَّغْفِرَةٌۭ وَأَجْرٌۭ كَبِيرٌۭ ١٢ وَأَسِرُّوا۟ قَوْلَكُمْ أَوِ ٱجْهَرُوا۟ بِهِۦٓ ۖ إِنَّهُۥ عَلِيمٌۢ بِذَاتِ ٱلصُّدُورِ ١٣ أَلَا يَعْلَمُ مَنْ خَلَقَ وَهُوَ ٱللَّطِيفُ ٱلْخَبِيرُ ١٤ هُوَ ٱلَّذِى جَعَلَ لَكُمُ ٱلْأَرْضَ ذَلُولًۭا فَٱمْشُوا۟ فِى مَنَاكِبِهَا وَكُلُوا۟ مِن رِّزْقِهِۦ ۖ وَإِلَيْهِ ٱلنُّشُورُ ١٥ ءَأَمِنتُم مَّن فِى ٱلسَّمَآءِ أَن يَخْسِفَ بِكُمُ ٱلْأَرْضَ فَإِذَا هِىَ تَمُورُ ١٦ أَمْ أَمِنتُم مَّن فِى ٱلسَّمَآءِ أَن يُرْسِلَ عَلَيْكُمْ حَاصِبًۭا ۖ فَسَتَعْلَمُونَ كَيْفَ نَذِيرِ ١٧ وَلَقَدْ كَذَّبَ ٱلَّذِينَ مِن قَبْلِهِمْ فَكَيْفَ كَانَ نَكِيرِ ١٨ أَوَلَمْ يَرَوْا۟ إِلَى ٱلطَّيْرِ فَوْقَهُمْ صَـٰٓفَّـٰتٍۢ وَيَقْبِضْنَ ۚ مَا يُمْسِكُهُنَّ إِلَّا ٱلرَّحْمَـٰنُ ۚ إِنَّهُۥ بِكُلِّ شَىْءٍۭ بَصِيرٌ ١٩ أَمَّنْ هَـٰذَا ٱلَّذِى هُوَ جُندٌۭ لَّكُمْ يَنصُرُكُم مِّن دُونِ ٱلرَّحْمَـٰنِ ۚ إِنِ ٱلْكَـٰفِرُونَ إِلَّا فِى غُرُورٍ ٢٠ أَمَّنْ هَـٰذَا ٱلَّذِى يَرْزُقُكُمْ إِنْ أَمْسَكَ رِزْقَهُۥ ۚ بَل لَّجُّوا۟ فِى عُتُوٍّۢ وَنُفُورٍ ٢١ أَفَمَن يَمْشِى مُكِبًّا عَلَىٰ وَجْهِهِۦٓ أَهْدَىٰٓ أَمَّن يَمْشِى سَوِيًّا عَلَىٰ صِرَٰطٍۢ مُّسْتَقِيمٍۢ ٢٢ قُلْ هُوَ ٱلَّذِىٓ أَنشَأَكُمْ وَجَعَلَ لَكُمُ ٱلسَّمْعَ وَٱلْأَبْصَـٰرَ وَٱلْأَفْـِٔدَةَ ۖ قَلِيلًۭا مَّا تَشْكُرُونَ ٢٣ قُلْ هُوَ ٱلَّذِى ذَرَأَكُمْ فِى ٱلْأَرْضِ وَإِلَيْهِ تُحْشَرُونَ ٢٤ وَيَقُولُونَ مَتَىٰ هَـٰذَا ٱلْوَعْدُ إِن كُنتُمْ صَـٰدِقِينَ ٢٥ قُلْ إِنَّمَا ٱلْعِلْمُ عِندَ ٱللَّهِ وَإِنَّمَآ أَنَا۠ نَذِيرٌۭ مُّبِينٌۭ ٢٦ فَلَمَّا رَأَوْهُ زُلْفَةًۭ سِيٓـَٔتْ وُجُوهُ ٱلَّذِينَ كَفَرُوا۟ وَقِيلَ هَـٰذَا ٱلَّذِى كُنتُم بِهِۦ تَدَّعُونَ ٢٧ قُلْ أَرَءَيْتُمْ إِنْ أَهْلَكَنِىَ ٱللَّهُ وَمَن مَّعِىَ أَوْ رَحِمَنَا فَمَن يُجِيرُ ٱلْكَـٰفِرِينَ مِنْ عَذَابٍ أَلِيمٍۢ ٢٨ قُلْ هُوَ ٱلرَّحْمَـٰنُ ءَامَنَّا بِهِۦ وَعَلَيْهِ تَوَكَّلْنَا ۖ فَسَتَعْلَمُونَ مَنْ هُوَ فِى ضَلَـٰلٍۢ مُّبِينٍۢ ٢٩ قُلْ أَرَءَيْتُمْ إِنْ أَصْبَحَ مَآؤُكُمْ غَوْرًۭا فَمَن يَأْتِيكُم بِمَآءٍۢ مَّعِينٍۭ ٣٠

U.S. Con. Section 1 by epenguin

All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.

U.S. Con. Preamble by epenguin

We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.

Untitled by user107870

hmm joop ok nmij ooy joking around its still pretty tough only twelve keys how can you express complex thoughts or even just simple ideas its a challenge but with a little imagination you can still get your message across

Untitled by user107870

ooj jjo look ok ooy but u yoo yoo know its not easy only ten keys ooj how yoo convey iintelling thought or jkust simple ideas its a challenge but one yoo can overcome with a little oojkujination

Untitled by user107870

joyfully i pick up my pen and begin to jot down ideas interlace seamlessly adding depth to my thoughts each stroke of the keys brings clarity and inspiration as i unravel the story within in this dance of letters the keyboard becomes a gateway to expression where every word crafted holds meaning and possibility

Untitled by user107870

as i sat at my desk, fingers poised over the keyboard, i hesitated briefly before beginning to type. the letterswaiting patiently along the top row, i began to weave words into sentences, each keystroke resonating with purpose and intent. it was in those moments that the keyboard became not just a tool, but an extension of my thoughts and creativity

Untitled by user107870

As I sat at my desk, fingers poised over the keyboard, I hesitated briefly before beginning to type. The letters waiting patiently along the top row, I began to weave words into sentences, each keystroke resonating with purpose and intent. It was in those moments that the keyboard became not just a tool, but an extension of my thoughts and creativity

TFIN Overview by lp0826

Triumph Financial is a financial and technology company focused on payments, factoring and banking. Through our brands - TriumphPay and Triumph - we use technology and innovation to reduce friction in cash flow management and increase the speed of payments for the trucking industry. Our TBK Bank brand provides consumer, business and commercial banking solutions, including a full range of lending products. We create value by driving businesses and communities of all sizes toward the future. This is our purpose and how we help people triumph.

AllCharactersOnKB 4 by nice1day

The sun rose over the calm ocean, casting a golden glow on the waves. Early risers were already jogging along the beach, enjoying the fresh morning air. "It's a perfect day for a swim," said one of the joggers. By 8 a.m., the beach was bustling with families setting up umbrellas and kids building sandcastles. The lifeguard on duty, equipped with a whistle and binoculars, kept a watchful eye on the swimmers. "Safety first," he reminded everyone. @Beach days are best enjoyed with friends and family! For more beach safety tips, visit www.beachsafety.com. Email me at lifeguard@example.com for more information. Morning Checklist: Pack beach essentials: sunscreen, towels, and snacks. Join the beach yoga session at 7 a.m. (password: 98765). Read a book under the umbrella by 10 a.m. Call the surf instructor. @ Remember: Always swim near a lifeguard stand. Bring $5 for the yoga class. % Keep the beach clean & dispose of trash properly. Store your belongings in the (BeachBag) for easy access. _ The sun gets stronger by midday; + reapply sunscreen frequently. | Arrange your items neatly ~ for convenience. ` Double-check the {tide schedule} before swimming. [ Follow the posted rules ] carefully, and \ respect other beachgoers. "Enjoy the moment," the instructor advised, and 'relaxation' is key. < Check your surroundings > regularly and stay hydrated. ? Can you identify any hazards / safety measures that should be taken.

AllCharactersOnKB 3 by nice1day

Under the brilliant afternoon sun, the bustling city came alive with the sound of chatter and car horns. The street market was in full swing, offering everything from fresh produce to handmade crafts. "Grab those apples! Only $2 a dozen!" shouted a vendor. By 5 p.m., the square was filled with people. Sarah, intrigued by the vibrant scene, decided to take photographs. "This place is amazing!" she exclaimed. "Can you believe how lively it is?" @Urban life is a constant buzz of activity! For more urban photography tips, visit www.citysnapshots.com. Email me at photographer@example.com for advice. Sarah's Evening Checklist: Upload photos to the portfolio: landscapes, portraits, and candid shots. Attend the webinar on street photography (password: 54321). Edit the photos by 9 p.m. Call the magazine editor. @ The photo exhibition will be held in Gallery #2. Bring $10 for the entry fee. % Ensure to watermark the images & credit the models properly. Save the edited files in (PhotoProjects) on the hard drive. _ The submission deadline is tight; + optimize your workflow. | Use folders to categorize your photos ~ efficiently. ` Always verify the {resolution} before printing. [ Follow the editing guidelines ] closely, and \ double-check your work. "Attention to detail," the mentor advised, and 'creativity' should shine through. < Examine your shots > meticulously and make necessary edits. ? Can you identify any flaws / enhancements needed in the final images.