Unlike street addresses web addresses begin with "www" followed by things like "Google" or "Yahoo" and end in ".com," ".org," or other similar endings. We call these types of addresses "urls", "Websites", or simply "Web Addresses". Countries sometimes have their own endings such as ".uk" for the United Kindgdom and ".au" for Australia.
Unlike street addresses web addresses begin with "www" followed by things like "Google" or "Yahoo" and end in ".com," ".org," or other similar endings. We call these types of addresses "urls", "Websites", or simply "Web Addresses". Countries sometimes have their own endings such as ".uk" for the United Kindgdom and ".au" for Australia.
This is Trey McHugh and this professor webster from who put Bella in the Wych Elm? By Kathrine Vondy
I am pleased to accept this award for distinguished service in the field of forensic pathology.
I shall value it equally with my other awards for distinguished service in the field of forensic pathology.
I have many. Forensic science is a magical thing.
Magical and disgusting. I cannot tell you the number of times
I have been overwhelmed by the sheer horror of it all yet still persevered
because that is what life is about
or in the instance of forensic pathology
what death is about one will never win awards if one does not persevere
through the grotesque and the macabre.
That is the truth, and I advise you all to make note of it. (pause)
have you noted it? I shall give you several more seconds to complete the note (pause)
very good. As I was saying throughout my career
I have persevered in my relentless pursuit for answers.
My peers and my subordinates have recognized all the questions
I have answered and now I have this new award which is very nice.
At this time, I will be happy to answer questions from the audience.
This is Trey McHugh and this professor webster from who put Bella in the Wych Elm? By Kathrine Vondy
I am pleased to accept this award for distinguished service in the field of forensic pathology.
I shall value it equally with my other awards for distinguished service in the field of forensic pathology.
I have many. Forensic science is a magical thing.
Magical and disgusting. I cannot tell you the number of times
I have been overwhelmed by the sheer horror of it all yet still persevered
because that is what life is about
or in the instance of forensic pathology
what death is about one will never win awards if one does not persevere
through the grotesque and the macabre.
That is the truth, and I advise you all to make note of it. (pause)
have you noted it? I shall give you several more seconds to complete the note (pause)
very good. As I was saying throughout my career
I have persevered in my relentless pursuit for answers.
My peers and my subordinates have recognized all the questions
I have answered and now I have this new award which is very nice.
At this time, I will be happy to answer questions from the audience.
I hate living by the hospital
The sirens go all night
I used to joke that if they woke you up
Somebody better be dying
Sick of the questions I keep asking you
They make you live in the past
But I can count on you to tell me the truth
When you've been drinking and you're wearing a mask
Baby, it's Halloween
And we can be anything
Oh, come on, man
We can be anything
Always surprised by what I do for love
Some things I never expect
They killed a fan down by the stadium
Was only visiting, they beat him to death
Baby, it's Halloween
And we can be anything
Oh, come on, man
We can be anything
Baby, it's Halloween
There's a last time for everything
Oh, come on, man
We can be anything
Whatever you want
I'll be whatever you want
Whatever you want
Be whatever you want
I'll be whatever you want
Whatever you want
I'll be whatever you want
Whatever you want
Whatever you want
In matters of principal, stand like a rock; in matters of taste, swim with the current. Give up money, give up fame, give up science, give up earth itself and all it contains, rather than do an immoral act. And never suppose that in any situation, or under any circumstances, it is best for you to do a dishonorable thing. Whenever you are to do a thing, though it can never be known but to yourself, ask yourself how you would act were all the world looking at you, and act accordingly.
Duty, honor, country: Those three hallowed words reverently dictate what you ought to be, what you can be, what you will be. They are your rallying point to build courage when courage seems to fail, to regain faith when there seems to be little cause for faith, to create hope when hope becomes forlorn.
Article 5 of the Code of Conduct: When questioned, should I become a prisoner of war, I am required to give name, rank, Service number, and date of birth. I will evade answering further questions to the upmost of my ability. I will make no oral or written statements disloyal to my country and its allies or harmful to their cause.
Article 6 of the Code of Conduct: I will never forget that I am an American, fighting for freedom, responsible for my actions, and dedicated to the principles which made my country free. I will trust in my God and in the United States of America.
I read part of an article called, "Say What, Horse." It was originally published in the magazine "Muse" in 2017. The article shares about three studies done related to the ways horses are able to communicate. In the article, author Jessie Haas says, "...Horses have been watching us, reading our moods, and communicating in ways we usually fail to understand, but science is finally catching on to that and is taking a fresh look..." New research revealed in the article shows that horses are able to read human facial expressions, use their own expressions to try to "talk back" to us, and learn to communicate with symbols.
"Union is strength" means unity is the biggest power that can defeat or face any kind of situation or problem existed in this world. We all have heard a lot of stories about strength of union in our childhood, one of them was about a farmer who had four sons but they always fought against each other. Some day their father gave a stick to them and ordered to break it, every one quickly broken it then father asked them to collect all the sticks and bind it with rope. Again he asked all his sons to break it. Everyone tried but couldn't succeed. Then, their father made them realized the power of unity.
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1. Understanding Rhetorical Appeals: Ethos, Pathos, and Logos
When analyzing a speech, it's essential to recognize the rhetorical appeals that the speaker uses to persuade their audience. These appeals are categorized into three primary types: ethos, pathos, and logos. Ethos refers to the credibility of the speaker. An effective speaker establishes trust by demonstrating knowledge and character. Consider how the speaker’s background, expertise, and ethical stance contribute to their authority on the subject. Pathos involves appealing to the audience's emotions. A speaker might use vivid imagery, personal anecdotes, or emotional language to evoke feelings like sympathy, anger, or joy. Finally, logos represents logical reasoning, where the speaker employs facts, statistics, and logical arguments to persuade the audience intellectually. When writing your analysis, identify examples of these appeals in the speech and discuss their effectiveness. How do these strategies impact the audience’s response? This understanding will lay the groundwork for a deeper exploration of how speakers craft their messages for various purposes.
2. Analyzing Diction and Word Choice. Diction, or word choice, plays a crucial role in the effectiveness of a speech. The specific words a speaker selects can convey tone, evoke emotion, and enhance the overall message. When analyzing diction, consider the connotations of the words used. For example, a speaker might choose strong, vivid language to instill a sense of urgency or fear, or opt for softer, more gentle words to create a calming effect. Pay attention to the formality or informality of the language; formal diction can lend credibility and seriousness, while informal diction may make the speaker seem relatable and approachable. Additionally, analyze the use of figurative language such as metaphors, similes, and alliteration. These literary devices can enrich the speech and help illustrate complex ideas more vividly. In your analysis, provide specific examples of diction from the speech, explain how those choices contribute to the overall message, and discuss the intended impact on the audience. Understanding diction will empower you to appreciate the subtleties of a speaker's craft.
3. Examining Tone and Mood
The tone of a speech refers to the speaker’s attitude toward the subject or audience, which can significantly influence how the message is received. Tone can be identified through the speaker's choice of words, the rhythm of their speech, and their emotional delivery. When analyzing tone, consider adjectives such as serious, humorous, passionate, or somber to describe the speaker's approach. Look for shifts in tone throughout the speech; these changes can signal the speaker's emotional journey or emphasize critical points. Additionally, consider the mood created for the audience. Mood refers to the overall feeling that the speech evokes in listeners, which can be a result of tone, diction, and emotional appeals. For instance, a passionate tone may create an inspiring mood, motivating the audience to take action. In your analysis, reflect on how tone and mood work together to enhance the speech’s effectiveness. Discuss the impact on the audience and how the speaker’s emotional delivery can sway opinions or inspire change.
4. Analyzing Audience and Purpose
Understanding the audience and the purpose of a speech is fundamental to a thorough analysis. A speaker must tailor their message to resonate with the specific audience they are addressing. Consider who the intended audience is—are they young students, seasoned professionals, or a general public? The choice of language, examples, and rhetorical strategies will vary based on the audience's interests, values, and expectations. Additionally, analyze the purpose behind the speech. Is it to inform, persuade, entertain, or inspire? Each purpose requires different techniques to engage the audience effectively. For example, a persuasive speech may use strong emotional appeals and logical arguments, while an informative speech may focus more on clarity and factual accuracy. In your analysis, explore how the speaker adapts their message for their audience and purpose. Identify specific strategies used to connect with listeners and discuss the effectiveness of these techniques in achieving the speaker's goals. This understanding will deepen your appreciation for the art of rhetoric.
5. Crafting Your Analysis
When writing your literary analysis, aim for clarity and coherence. Begin with an engaging introduction that provides context for the speech, including the speaker, occasion, and main themes. Clearly state your thesis, outlining the key aspects you will analyze, such as rhetorical appeals, diction, tone, and audience. Use well-organized body paragraphs to delve into each aspect, providing specific examples and quotes from the speech to support your points. Transition smoothly between ideas to maintain a logical flow throughout your analysis. Conclude by summarizing your key findings and reflecting on the speech's overall impact. Consider how the rhetorical strategies employed contribute to the effectiveness of the message and its relevance to contemporary issues. By structuring your analysis thoughtfully, you will demonstrate your understanding of the speech and the skills necessary for success in Language Arts, 10 grade.
1. Understanding Rhetorical Appeals: Ethos, Pathos, and Logos
When analyzing a speech, it's essential to recognize the rhetorical appeals that the speaker uses to persuade their audience. These appeals are categorized into three primary types: ethos, pathos, and logos. Ethos refers to the credibility of the speaker. An effective speaker establishes trust by demonstrating knowledge and character. Consider how the speaker’s background, expertise, and ethical stance contribute to their authority on the subject. Pathos involves appealing to the audience's emotions. A speaker might use vivid imagery, personal anecdotes, or emotional language to evoke feelings like sympathy, anger, or joy. Finally, logos represents logical reasoning, where the speaker employs facts, statistics, and logical arguments to persuade the audience intellectually. When writing your analysis, identify examples of these appeals in the speech and discuss their effectiveness. How do these strategies impact the audience’s response? This understanding will lay the groundwork for a deeper exploration of how speakers craft their messages for various purposes.
2. Analyzing Diction and Word Choice. Diction, or word choice, plays a crucial role in the effectiveness of a speech. The specific words a speaker selects can convey tone, evoke emotion, and enhance the overall message. When analyzing diction, consider the connotations of the words used. For example, a speaker might choose strong, vivid language to instill a sense of urgency or fear, or opt for softer, more gentle words to create a calming effect. Pay attention to the formality or informality of the language; formal diction can lend credibility and seriousness, while informal diction may make the speaker seem relatable and approachable. Additionally, analyze the use of figurative language such as metaphors, similes, and alliteration. These literary devices can enrich the speech and help illustrate complex ideas more vividly. In your analysis, provide specific examples of diction from the speech, explain how those choices contribute to the overall message, and discuss the intended impact on the audience. Understanding diction will empower you to appreciate the subtleties of a speaker's craft.
3. Examining Tone and Mood
The tone of a speech refers to the speaker’s attitude toward the subject or audience, which can significantly influence how the message is received. Tone can be identified through the speaker's choice of words, the rhythm of their speech, and their emotional delivery. When analyzing tone, consider adjectives such as serious, humorous, passionate, or somber to describe the speaker's approach. Look for shifts in tone throughout the speech; these changes can signal the speaker's emotional journey or emphasize critical points. Additionally, consider the mood created for the audience. Mood refers to the overall feeling that the speech evokes in listeners, which can be a result of tone, diction, and emotional appeals. For instance, a passionate tone may create an inspiring mood, motivating the audience to take action. In your analysis, reflect on how tone and mood work together to enhance the speech’s effectiveness. Discuss the impact on the audience and how the speaker’s emotional delivery can sway opinions or inspire change.
4. Analyzing Audience and Purpose
Understanding the audience and the purpose of a speech is fundamental to a thorough analysis. A speaker must tailor their message to resonate with the specific audience they are addressing. Consider who the intended audience is—are they young students, seasoned professionals, or a general public? The choice of language, examples, and rhetorical strategies will vary based on the audience's interests, values, and expectations. Additionally, analyze the purpose behind the speech. Is it to inform, persuade, entertain, or inspire? Each purpose requires different techniques to engage the audience effectively. For example, a persuasive speech may use strong emotional appeals and logical arguments, while an informative speech may focus more on clarity and factual accuracy. In your analysis, explore how the speaker adapts their message for their audience and purpose. Identify specific strategies used to connect with listeners and discuss the effectiveness of these techniques in achieving the speaker's goals. This understanding will deepen your appreciation for the art of rhetoric.
5. Crafting Your Analysis
When writing your literary analysis, aim for clarity and coherence. Begin with an engaging introduction that provides context for the speech, including the speaker, occasion, and main themes. Clearly state your thesis, outlining the key aspects you will analyze, such as rhetorical appeals, diction, tone, and audience. Use well-organized body paragraphs to delve into each aspect, providing specific examples and quotes from the speech to support your points. Transition smoothly between ideas to maintain a logical flow throughout your analysis. Conclude by summarizing your key findings and reflecting on the speech's overall impact. Consider how the rhetorical strategies employed contribute to the effectiveness of the message and its relevance to contemporary issues. By structuring your analysis thoughtfully, you will demonstrate your understanding of the speech and the skills necessary for success in Language Arts, 10 grade.
1. Understanding Rhetorical Appeals: Ethos, Pathos, and Logos When analyzing a speech, it's essential to recognize the rhetorical appeals that the speaker uses to persuade their audience. These appeals are categorized into three primary types: ethos, pathos, and logos. Ethos refers to the credibility of the speaker. An effective speaker establishes trust by demonstrating knowledge and character. Consider how the speaker’s background, expertise, and ethical stance contribute to their authority on the subject. Pathos involves appealing to the audience's emotions. A speaker might use vivid imagery, personal anecdotes, or emotional language to evoke feelings like sympathy, anger, or joy. Finally, logos represents logical reasoning, where the speaker employs facts, statistics, and logical arguments to persuade the audience intellectually. When writing your analysis, identify examples of these appeals in the speech and discuss their effectiveness. How do these strategies impact the audience’s response? This understanding will lay the groundwork for a deeper exploration of how speakers craft their messages for various purposes. 2. Analyzing Diction and Word Choice Diction, or word choice, plays a crucial role in the effectiveness of a speech. The specific words a speaker selects can convey tone, evoke emotion, and enhance the overall message. When analyzing diction, consider the connotations of the words used. For example, a speaker might choose strong, vivid language to instill a sense of urgency or fear, or opt for softer, more gentle words to create a calming effect. Pay attention to the formality or informality of the language; formal diction can lend credibility and seriousness, while informal diction may make the speaker seem relatable and approachable. Additionally, analyze the use of figurative language such as metaphors, similes, and alliteration. These literary devices can enrich the speech and help illustrate complex ideas more vividly. In your analysis, provide specific examples of diction from the speech, explain how those choices contribute to the overall message, and discuss the intended impact on the audience. Understanding diction will empower you to appreciate the subtleties of a speaker's craft. 3. Examining Tone and Mood The tone of a speech refers to the speaker’s attitude toward the subject or audience, which can significantly influence how the message is received. Tone can be identified through the speaker's choice of words, the rhythm of their speech, and their emotional delivery. When analyzing tone, consider adjectives such as serious, humorous, passionate, or somber to describe the speaker's approach. Look for shifts in tone throughout the speech; these changes can signal the speaker's emotional journey or emphasize critical points. Additionally, consider the mood created for the audience. Mood refers to the overall feeling that the speech evokes in listeners, which can be a result of tone, diction, and emotional appeals. For instance, a passionate tone may create an inspiring mood, motivating the audience to take action. In your analysis, reflect on how tone and mood work together to enhance the speech’s effectiveness. Discuss the impact on the audience and how the speaker’s emotional delivery can sway opinions or inspire change. 4. Analyzing Audience and Purpose Understanding the audience and the purpose of a speech is fundamental to a thorough analysis. A speaker must tailor their message to resonate with the specific audience they are addressing. Consider who the intended audience is—are they young students, seasoned professionals, or a general public? The choice of language, examples, and rhetorical strategies will vary based on the audience's interests, values, and expectations. Additionally, analyze the purpose behind the speech. Is it to inform, persuade, entertain, or inspire? Each purpose requires different techniques to engage the audience effectively. For example, a persuasive speech may use strong emotional appeals and logical arguments, while an informative speech may focus more on clarity and factual accuracy. In your analysis, explore how the speaker adapts their message for their audience and purpose. Identify specific strategies used to connect with listeners and discuss the effectiveness of these techniques in achieving the speaker's goals. This understanding will deepen your appreciation for the art of rhetoric. 5. Crafting Your Analysis When writing your literary analysis, aim for clarity and coherence. Begin with an engaging introduction that provides context for the speech, including the speaker, occasion, and main themes. Clearly state your thesis, outlining the key aspects you will analyze, such as rhetorical appeals, diction, tone, and audience. Use well-organized body paragraphs to delve into each aspect, providing specific examples and quotes from the speech to support your points. Transition smoothly between ideas to maintain a logical flow throughout your analysis. Conclude by summarizing your key findings and reflecting on the speech's overall impact. Consider how the rhetorical strategies employed contribute to the effectiveness of the message and its relevance to contemporary issues. By structuring your analysis thoughtfully, you will demonstrate your understanding of the speech and the skills necessary for success in Language Arts, 10 grade.
Marillion is singing day and night. Because his cell is open, his songs can be heard throughout the castle. Although Marillion has a beautiful voice, Sansa does not like the sound of his singing. She asks Petyr if he cannot silence the singer. Littlefinger explains to Sansa that they need Marillion. With some persuasion, Marillion has confessed to the murder of Lysa.
In return for his confession, Littlefinger has spared his life and his voice. Petyr tells Sansa that she has to corroborate Marillion's confession. Sansa knows that Marillion did not murder Lysa and therefore hesitates. She has no pity for the singer as he has tried to rape her, but she is afraid that people will see through her lies.
The next day Nestor Royce and his son arrive at the Eyrie to investigate the murder of Lysa Arryn. Although she is afraid, Sansa tells the Royces that Marillion killed Lysa Arryn. Her fright and tears only make her more convincing. Then Marillion is led in.
He confesses that he killed his mistress because he could not bear the thought of seeing her married to Petyr. The Royces never liked Marillion and don’t question his confession. They agree that Marillion will be confined to the sky cells. Eventually he will fall or jump to his death.
Nestor then informs Petyr that his cousin is gathering other lords to have Petyr removed as Lord Protector of the Vale. Littlefinger already knows this and is unfazed. As a reward for his services, he presents Nestor with a grant that makes him and his descendents hereditary Lords of the Gates of the Moon. The Gates of the Moon are a secondary castle that has always been in the possession of the main Arryn line. Nestor has been appointed castellan but now acquires the castle in his own right.
According to Petyr, Lysa had already decided to give the castle to Nestor but was murdered before she could sign the order. When Nestor Royce and his son leave, Littlefinger explains to Sansa that the Royces will now be on his side. If Petyr is removed as Lord Protector, the grant for the castle will be challenged because it was signed by Petyr and not by little Robert.
That night when Sansa goes to sleep, Robert creeps into her bed as he has been doing since his mother died. He asks Sansa if she is his mother now. Sansa says yes because she knows this lie will soothe him.
People attend college or university for many different reasons (for example, new experiences, career preparation, increased knowledge). Why do you think people attend college or university?
Model Answer 2:
People attend colleges or universities for a lot of different reasons. I believe that the three most common reasons are to prepare for a career, to have new experiences, and to increase their knowledge of themselves and the world around them.
Career preparation is becoming more and more important to young people. For many, this is the primary reason to go to college. They know that the job market is competitive. At
college, they can learn new skill for careers with a lot of opportunities. This means careers, such as information technology, that are expected to need a large workforce in the coming years.
Also, students go to colleges and universities to have new experiences. This often means having the opportunity to meet people different from those in their hometowns. For most students, going to college is the first time they’ve been away from home by themselves. In additions, this is the first time they’ve had to make decisions on their own. Making these decisions increases their knowledge of themselves.
Besides looking for self-knowledge, people also attend a university or college to expand their knowledge in subjects they find interesting. For many, this will be their last chance for a long time to learn about something that doesn’t relate to their career.
I would recommend that people not be so focused on a career. They should go to college to have new experiences and learn about themselves and the world they live in.
People attend college or university for many different reasons (for example, new experiences, career preparation, increased knowledge). Why do you think people attend college or university?
Model Answer 1:
People attend college for a lot of different reasons. I believe that the three most common reasons are to prepare for a career, to have new experiences, and to increase their knowledge of themselves and of the world around them.
Career preparation is probably the primary reason that people attend college. These days, the job market is very competitive. Careers such as information technology will need many new workers in the near future. At college, students can learn new skills for these careers and increase their opportunities for the future.
Students also go to college to have new experiences. For many, it is their first time away from home. At college, they can meet new people from many different places. They can see what life is like in a different city. They can learn to live on their own and take care of themselves without having their family always nearby.
At college, students have the opportunity to increase their knowledge. As they decide what they want to study, pursue their studies, and interact with their classmates, they learn a lot about themselves. They also, of course, have the opportunity to learn about many subjects in their classes. In addition to the skills and knowledge related to their career, college students also have the chance to take classes in other areas. For many, this will be their last chance to study different subjects.
Colleges offer much more than career preparation. They offer the opportunity to have new experiences and to learn many kinds of things. I think all of these are reasons why people attend college.
We are becoming increasingly dependent on computers. They are used in businesses, hospitals, crime detection and even to fly planes. What things will they be used for in the future? Is this dependence on computers a good thing or should we he more auspicious of their benefits?
Model Answer:
Computers are a relatively new invention. The first computers were built fifty years ago and it is only in the last thirty or so years that their influence has affected our everyday life. Personal computers were introduced as recently as the early eighties. In this short time they have made a tremendous impact on our lives. We are now so dependent on computers that it is hard to imagine what things would be like today without them. You have only got to go into a bank when their main computer is broken to appreciate the chaos that would occur if computers were suddenly removed world-wide.
In the future computers will be used to create bigger and even more sophisticated computers. The prospects for this are quite alarming. They will be so complex that no individual could hope to understand how they work. They will bring a lot of benefits but they will also increase the potential for unimaginable chaos. They will, for example, be able to fly planes and they will be able to co ordinate the movements of several planes in the vicinity of an airport. Providing all the computers are working correctly nothing can go wrong. If one small program fails disaster.
There is a certain inevitability that technology will progress and become increasingly complex. We should, however, ensure that we are still in a position where we are able to control technology. It will be all too easy to suddenly discover that technology is controlling us. By then it might be too late I believe that it is very important to be suspicious of the benefits that computers will bring and to make sure that we never become totally dependent on a completely technological world.
We have been living in the nuclear age now for over half a century. Since the first atomic bombs were developed, nuclear technology has provided governments with the ability to totally destroy the planet. Yet the technology has been put to positive use as an energy source and in certain areas of medicine. To what extent is nuclear technology a danger to life on Earth? What are the benefits and risks associated with its use?
Model Answer:
These days, many people are afraid of nuclear technology because of the dangers associated with its use. In my opinion, although it is true that nuclear weapons pose the greatest threat to life, the use of nuclear technology for peaceful purposes also carries some serious risks.
Nuclear power stations provide an important source of cheap power for many industrialised nations and some developing countries. However, there is always the danger of radiation leaking from these plants. Even though safety precautions are taken, there have been numerous disasters such as the explosion of a nuclear plant in Russia not long ago.
Nuclear technology is even used to help cure some diseases such as cancer. Radiation can be applied to the body to burn away cancerous cells. This is, however, a dangerous procedure, and the application of radiation is almost always painful and not always successful.
The most worrying aspect of nuclear technology, though, is its use for military purposes. Enough atomic bombs have already been built to completely destroy the planet, and the real danger is that one day some country will start a war with these weapons. Too many countries now have the technology required to make such bombs, and there is currently much debate about how to control the situation.
In conclusion, nuclear technology certainly has positive uses, but is, nonetheless, dangerous. However, it would have been better if it had never been used to create nuclear weapons. If life on Earth is to continue.
Hilma Af Klint is currently recognised as the earliest Western-European artist practicing in a modernist, abstract style. In the 1900s, she was a member of ‘De Fem’, a theosophically inspired Swedish occult group, where she and other women explored transcendental spirituality. Learning from this collective pursuit shaped her art process, particularly in works like ‘Altarpieces No. 1’. Moving away from traditional representation, Af Klint’s commitment to automatic drawing led her to embrace abstraction instead. Aiming to paint visions from the astral plane, she was inspired by the spirit Amaliel, giving her work a sacred, otherworldly quality. Admist her polychromatic palette, composed with geometric forms, reflects a desire to make the invisible visible, representing a transcendence into higher spirits, with the focal point being a sun-like shape tapered from a pyramid-like form synonymous with the idea of the connection between realms. Finally, her abstract style bridged physical and spiritual worlds, signalling a cultural shift in art's capacity for secular spirituality.
Both Rrap and Dupain’s artworks, Speechless (2017) and Sunbaker (1937), reflect the influence of their respective family-of-origins and their interest in the role of the ‘body’ in art. Partly influencing this work, Rrap’s brother, the well-known performance artist Mike Parr, along with his friends, engaged in performance art, often hanging out with Julie and prompting her own personal interest in this art form. Equally important, Dupain’s father was one of the first Australians to operate a private gymnasium, where locals(largely male)were able to invest in their health, vitality, and physical well-being. Resultantly, this environment fostered Dupain’s fascination with the human body, which is powerfully reflected in his photograph Sunbaker, where the strong contrasts of light and shadow highlight the sunbather’s muscular form. Stemming from this focus on the human physique, combined with his understanding of the beauty of the natural landscape, informs the meanings and messages in his work, emphasising themes of vitality, leisure, and the intrinsic connection between the body and its environment. On the other hand, Rrap’s Speechless is shaped by an irreverent approach that challenges conventional seriousness in art. Nurtured in a creative environment, Rrap incorporated interactive elements into her work, inviting viewers to choose between standing up to speak on pressing issues or lying down and remaining 'speechless'. This duality reflects her belief in the power of agency and participation, as opposed to another pervading assumption of an Australian, lackadaisical attitude; Thus, reflecting how both artists’ personal experiences inform their engagement with their own body-centric art creative practice
Processing: A Programming Language for Visual Art
some very colorful art that is in a dark background a large piece of paper has a big circular spiral design
Note: this page has been created with the use of AI. Please take caution, and note that the content of this page does not necessarily reflect the opinion of Cratecode.
If you've ever dreamed of creating beautiful, interactive visuals with code, then Processing may be your new best friend. Originally developed as a tool for teaching computer programming in a visual context, Processing has evolved into a versatile programming language that artists, designers, and even scientists use to create stunning visualizations and interactive experiences.
What is Processing?
Processing is an open-source programming language and development environment built on top of the Java programming language. It was created by Ben Fry and Casey Reas in 2001, with the goal of making it easier for non-programmers to start learning how to code through visual, interactive projects. The language simplifies the process of working with graphics, making it accessible for anyone interested in combining art and technology.
Getting Started with Processing
To begin using Processing, you'll first need to download the Processing software for your operating system. Once installed, you're ready to start creating your first Processing sketch.
A sketch is the term used in Processing for a single program. When you open the Processing development environment, you'll be greeted with a simple text editor where you can write your code. To run your sketch, simply press the "Play" button in the top left corner of the window.
Let's create a basic sketch that draws a circle on the screen:
void setup() {
size(800, 600);
}
void draw() {
background(255); // White background
fill(0); // Black color for the circle
ellipse(400, 300, 100, 100); // Draw a circle at the center of the canvas
}
The setup function runs once at the beginning of your sketch and is used for any initialization code. In this case, we define the size of the display window with size(800, 600). The draw function is called repeatedly, making it ideal for animations or continuous updates to the screen. Inside draw, we set the background color, circle color, and draw a circle with the ellipse function.
Exploring the Processing Ecosystem
One of the strengths of Processing is its thriving community, which has produced a vast number of libraries and tools to extend the language's functionality even further. You can find libraries for everything from 3D graphics to computer vision, physics simulations, and even machine learning.
To browse available libraries, go to the "Sketch" menu in the Processing development environment and select "Import Library" followed by "Add Library." You'll be presented with a list of libraries you can install and use in your sketches.
Linking Art and Programming
Processing's focus on visuals and interactivity provides an excellent platform for artists, designers, and programmers to experiment with new ideas and collaborate. By combining creative coding techniques with traditional artistic practices, you can create captivating works of art that blur the lines between static and dynamic, digital and analog.
Take inspiration from the Processing examples and openprocessing.org, where you can find numerous examples of stunning art and interactive experiences created using Processing. As you explore the capabilities of this programming language, you'll discover that the possibilities are limited only by your imagination.
So grab your digital paintbrush, and happy coding!
